![]() (See a listing of specific film types included.) There also were several important advances to the ColorPerfect system as a whole. Of course ColorPerfect still has the ColorNeg answer to working with color negatives with built-in calibration data for about 300 types of color negative film from Kodak, Fuji, Agfa, AgfaColor, Konica, China Lucky, Rollei, and Ferrania. (See a listing of specific camera models included.) The importance of this new technology to digital photography can hardly be overstated. The PerfectRAW System automatically recognizes most digital cameras and has calibrations for around 300 designations of digital cameras from Apple, Blackmagic, Canon, Casio, Fujifilm, Kodak, Leica, Nikon, Olympus, Panasonic, Pentax, Samsung, and Sony as well as the nearly 200 newly added Canon cameras running under the CHDK system. We are the first to recognize and correct these errors and the result is the color clarity and consistency of PerfectRAW. In our extensive research we found that there were critical errors made at the very start in the way that digital camera RAW data is analysed. Version 2 introduced PerfectRAW and with it the color purity that we all have been searching for from digital camera RAW. Of great importance to many users is the fact that version 2.15 and later have built-in PerfectRAW calibrations for well over 100 Canon cameras that run the CHDK system - involving nearly 200 different camera names. PerfectRAW's SmartClip has been improved, the overall behaviour of the plug-in has been improved and tuned up as well and Mac 32-bit users will finally be able to load and save User film and camera calibration files using standard system dialog boxes. Versions 2.15 and 2.16 enhanced performance and added selectivity by hue to the color Saturation control, a new Graded White control giving the user more control over image contrast, Half Zones between the current Zones, giving the user more detailed control over the image intensity currve, and the ability to scroll highlight and shadow controls. Version 2.17 completely revised FilmType into a more cohesive implementation. Users should find this less confusing and it provides a more solid base for future developments in ColorPerfect. The principal change in version 2.20 was that PerfectRAW was made a separate Mode. When Photoshop CC users update it is a good idea to get the latest version of ColorPerfect. Please be sure that you See the ColorPerfect dialog and how it works.ĬolorPerfect is currently in version 2.22, which adds some more cameras to 2.21 and 2.20 - including some iPhones - and fixes a couple of minor bugs. The pages are not duplicates, so you may wish to look over both. There is also a web page in a more modern style. This is the original web page that has been continuously updated here since the beginning of ColorPerfect. ColorNeg and PerfectRAW are built into the ColorPerfect plug-in. The ColorPerfect Photoshop/Photoline plug-in is available for both PC and Mac in both 64-bit and 32-bit versions. C F Systems Innovations in Sight and Sound - Photoshop plug-ins pageĬolorPerfect Version 2.22 is now available
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